A4
= 432 Hz Equal Tempered Scale
Note
Hz
C0
16.05 [ MP3 ]
C#0/Db0
17.01 [ MP3 ]
D0
18.02 [ MP3 ]
D#0/Eb0
19.09 [ MP3 ]
E0
20.23
[ MP3 ]
F0
21.43
[ MP3 ]
F#0/Gb0 22.70
[ MP3
]
G0
24.05 [
MP3 ]
G#0/Ab0 25.48
[ MP3 ]
A0
27.00 [ MP3 ]
A#0/Bb0 28.61
[ MP3 ]
B0
30.31 [ MP3 ]
C1
32.11 [ MP3 ]
C#1/Db1 34.02
[ MP3 ]
D1
36.04 [
MP3 ]
D#1/Eb1 38.18
[ MP3 ]
E1
40.45 [
MP3 ]
F1
42.86 [
MP3 ]
F#1/Gb1 45.41
[ MP3 ]
G1
48.11 [ MP3 ]
G#1/Ab1 50.97
[ MP3 ]
A1
54.00 [ MP3 ]
A#1/Bb1 57.21
[ MP3 ]
B1
60.61 [ MP3 ]
C2
64.22 [ MP3 ]
C#2/Db2 68.04
[ MP3 ]
D2
72.08 [ MP3 ]
D#2/Eb2 76.37
[ MP3 ]
E2
80.91 [ MP3 ]
F2
85.72 [ MP3 ]
F#2/Gb2 90.82
[ MP3 ]
G2
96.22 [ MP3 ]
G#2/Ab2 101.94 [ MP3
]
A2
108.00 [ MP3 ]
A#2/Bb2 114.42
[ MP3 ]
B2
121.23 [ MP3 ]
C3
128.43 [ MP3 ]
C#3/Db3
136.07 [ MP3 ]
D3
144.16 [ MP3 ]
D#3/Eb3
152.74 [ MP3 ]
E3
161.82 [ MP3 ]
F3
171.44
[ MP3 ]
F#3/Gb3
181.63 [ MP3 ]
G3
192.43
[ MP3 ]
G#3/Ab3
203.88 [ MP3 ]
A3
216.00 [ MP3 ]
A#3/Bb3
228.84 [ MP3 ]
B3
242.45 [ MP3 ]
C4
256.87
[ MP3 ]
C#4/Db4
272.14 [ MP3 ]
D4
288.33
[ MP3 ]
D#4/Eb4 305.47
[ MP3 ]
E4
323.63
[ MP3 ]
F4
342.88
[ MP3 ]
F#4/Gb4
363.27 [ MP3 ]
G4
384.87 [ MP3 ]
G#4/Ab4 407.75 [ MP3 ]
A4
432.00 [ MP3 ]
A#4/Bb4 457.69 [ MP3 ]
B4
484.90
[ MP3 ]
C5
513.74 [ MP3 ]
C#5/Db5 544.29 [ MP3 ]
D5
576.65 [ MP3 ]
D#5/Eb5 610.94
[ MP3 ]
E5
647.27
[ MP3 ]
F5
685.76 [ MP3 ]
F#5/Gb5 726.53 [ MP3 ]
G5
769.74 [ MP3 ]
G#5/Ab5 815.51 [ MP3 ]
A5
864.00 [ MP3 ]
A#5/Bb5 915.38 [ MP3 ]
B5
969.81 [ MP3 ]
C6
1027.47 [ MP3 ]
C#6/Db6 1088.57 [ MP3 ]
D6
1153.30 [ MP3 ]
D#6/Eb6
1221.88 [ MP3 ]
E6
1294.54 [ MP3 ]
F6
1371.51 [ MP3 ]
F#6/Gb6
1453.07 [ MP3 ]
G6
1539.47 [ MP3 ]
G#6/Ab6 1631.01 [ MP3 ]
A6
1728.00 [ MP3 ]
A#6/Bb6
1830.75 [ MP3 ]
B6
1939.61 [ MP3 ]
C7
2054.95 [ MP3 ]
C#7/Db7
2177.14 [ MP3 ]
D7
2306.60 [ MP3 ]
D#7/Eb7
2443.76 [ MP3 ]
E7
2589.07 [ MP3 ]
F7
2743.03 [ MP3 ]
F#7/Gb7 2906.14 [ MP3 ]
G7
3078.95 [ MP3 ]
G#7/Ab7 3262.03 [ MP3 ]
A7
3456.00 [ MP3 ]
A#7/Bb7 3661.50 [ MP3 ]
B7
3879.23 [ MP3 ]
C8
4109.90 [ MP3 ]
C#8/Db8
4354.29 [ MP3 ]
D8
4613.21 [ MP3 ]
D#8/Eb8 4887.52
[ MP3 ]
E8
5178.15 [ MP3 ]
F8
5486.06
[ MP3 ]
F#8/Gb8 5812.28 [ MP3 ]
G8
6157.89 [ MP3 ]
G#8/Ab8
6524.06 [ MP3 ]
A8
6912.00
[ MP3 ]
A#8/Bb8
7323.01 [ MP3 ]
B8
7758.46 [ MP3 ]
http://www.phy.mtu.edu/~suits/NoteFreqCalcs.html
Equations
for the Frequency Table
The basic formula for the frequencies of the notes of the
equal tempered scale is given by
fn = f0 * (a)n
where
f0 = the frequency of one fixed note which must be defined.
A common choice is setting the A above middle C (A4) at f0 =
440 Hz.
n = the number of half steps away from the fixed note you
are. If you are at a higher note, n is positive. If you are
on a lower note, n is negative.
fn = the frequency of the note n half steps away.
a = (2)1/12 = the twelth root of 2 = the number which when
multiplied by itself 12 times equals 2 = 1.059463094359...
The wavelength of the sound for the notes is found from
Wn = c/fn
where W is the wavelength and c is the speed of sound. The
speed of sound depends on temperature, but is approximately
345 m/s at "room temperature."
On
the concert pitch A=432 and C=128
Table 1 compares the frequencies of the individual tones
using the three tuning methods, in the previous two scales
as well as in the Just Intervals Scale.
432
Hz Music …A Higher State of Consciousness?
...So let’s look at the A=432 Hz music scale
There are a few ways to calculate this so we’ll look at the
2 most important scales – Pythagorean and Ptolemy tuning and
compare them to the 440Hz scale.
440 Hz
v 432 Hz
The first thing you may notice is that when A=432 all of the
main notes are now whole numbers.
Not only that, all of the main notes in the A=432 Hz scale
are found in the most harmonics numbers chart.

How
the table works
The column down starts at 1 and is then 2 x 2 x 2 x 2 etc
The row across starts at 1 and is then 3 x 3 x 3 x 3 etc
The numbers in the middle are the sums of the columns and
rows multiplied e.g 432 is 16 x 27
In the first column we can see 256 highlighted. This is note
C from the A=432Hz musical scale …and so is every other
number in this column. When you double the number to 512,
1024 etc, you are going up an octave each time. Likewise,
halving the number to 128, 64 etc is going down an octave
each time.
In the 2nd column every note is G in the A=432Hz scale.
Every number in the 3rd column is the note D, and so on.
Every number in this table corresponds to a note in the
A=432Hz scale.
Platonic
solids
The 5 platonic solids are said to be the building blocks of
matter. These figures and their different combinations,
reveal every possible molecular structure and every possible
geometrical law, forming our physical reality.
When you add up all the angles within these 3D shapes you
get:
Tetrahedron 180 x 4 = 720 which is Note F# in the A432Hz
musical scale (an octave above 360)
Cube (360 x 6) 2160* (Note A)
Octahedron 1440* (Note D)
Dodecahedron 6480* (Note E)
Icosahedron 3600* (Note F#)
* You may think that 1440 can not be musically harmonious
with 144 (note D), but it is. If you multiply a frequency by
10 you will get it’s 10th harmonic overtone which is 3
octaves + a major third, so adding or removing 0’s is no
problem at all from a musical and harmonic point of view.
[2]
The
A = 432 Hz Frequency: DNA Tuning and the Bastardization
of Music
Diameter of sun = 864,000 miles (432 x 2)
Diameter of moon = 2,160 miles (5 x 432 = 2,160)
2+1+6+0 resolves to a 9, as does 4+3+2 = 9 and 5 x 9 = 45
and 4 + 5 = 9 as well.
Precession of the Equinoxes of Earth = 25,920 years (60 x
432) [x]
C#=544
Hz, NOT 554 Hz! A.K.A The Breakthrough that Didn’t
Quite Break Through
In a ground-breaking research collaboration initiated in the
late 1980s, biologist David Deamer and composer Susan
Alexjander sought to directly ascertain the frequencies
emitted by the bases of our DNA (A, G, C, T). They did this
by directly measuring the infrared absorption spectra of DNA
molecules. These DNA frequencies were then arranged as
“scales” of tones, and subsequently used as the basis for
Alexjander’s musical compositions...
..Then, after weeks and weeks of experimentation with
different sound combinations, a “tonal center” began to
emerge. One pitch in particular seemed to lend meaning and
coherency to the challenging microtonal morass — a pitch
common to all four bases: C#(!)
Adenine: 545.6 Hz
Guanine: 550
Thymine: 543.4
Cytosine: 537.8
Average DNA Hz = 544.2
[ Susan Alexjander, The Infrared Frequencies of DNA Bases,
as Science and Art, http://www.oursounduniverse.com/articles/IEEE.html
]
How
to convert any music from 440hz to 432hz
(Note : This protocol is to convert music from 440hz to
432hz. If the music was originally made in 432hz then using
this protocol will make it out of tune. Almost all music
nowadays is in 440hz, except a lot (but not all) of Indian
traditional music which is still made in 432hz, as well as
some traditional Tibetan or didgeridoo music, and a few
other isolated cases.)
Download the free software Audacity here
https://sourceforge.net/projects/audacity/
Then download this little plug-in here in order to be able
to save files in mp3
http://lame.buanzo.org/
First we need to create a protocol, and then you will be
able to apply it quickly and easily to any file or group of
files.
Open Audacity, click on the 'File' tab on the top left
corner, then 'Edit chains', and then 'Add' on the bottom
left corner.
Enter the name you want for the protocol, for example 432,
then click on insert. Then double click on 'TimeScale', and
then edit parameters.
Then type -1.818 in both (%) boxes and click Ok :
Then click ok again, then click on insert, and double click
on 'Exportmp3', and click Ok.
Tutorial
:
https://www.youtube.com/watch?v=I47DfhmVztM
How
to Batch Convert Music to 432 Hz in Audacity