Lili KOLISKO
Working With the Stars In Earthly Substance
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Working With the Stars In Earthly Substance
The Solar
Eclipse, June 29th, 1927
By Lili Kolisko
Experimental Studies From The Biological Institute Of The
Goetheanum With Three Multi-Coloured and Twenty Single Coloured
Plates.
Orient-Occident Verlag, Stuttgart-Den Haag-London, 1928
FOREWORD
In the essay Workings of the Stars in Earthly Substances,
published a few months ago, the attempt was made to show by
means of scientific experiments that the stars in the heavens
play a very real part in happenings on Earth. The experiments
were carried out with the metallic salts of silver, iron and
lead. The workings of these metals, in normal conditions, both
by day and by night, in full daylight and also in a dark
chamber, were illustrated by a series of pictures. We were then
able to show that fundamental changes occur at the time of a
conjunction of Saturn and Sun. Indeed the activity of salts of
lead appears to be wholly suspended at the time of the
conjunction.
In this present essay, we shall show, again by means of pictures
painted by the Cosmos itself, how the total eclipse of the Sun
on June 29th, 1927, was mirrored in the metallic salts of gold,
silver and tin.
Gold, the physical representative on Earth of the Sun, and
silver, the physical representative on Earth of the Moon, are
obviously the sub-stances most suited to present in picture
form, the darkening of the Sun by the Moon.
Once again we must emphasize that his essay represents merely a
tiny fragment of extensive work. Unbroken study of many years
has enabled us to create a basis which justifies us now in
placing the results of our research before the world. May the
minds and hearts of men be open in order that the Sun may shine
into them when the physical Sun is darkened.
L. Kolisko
Stuttgart, September 29th, 1927
Before we can speak of the reflection of the solar eclipse in
earthly substances, it is necessary to say something about the
particular substances that were used as a basis for the
experiments.
EXPERIMENTS WITH GOLD
It is curiously interesting to experiment with gold. The first
experiments we carried out with gold some years ago, consisted
in dissolving it in aqua regia (nitric acid / hydrochloric acid
mixture) and evaporating the superfluous acid so that we finally
had gold in solution as chloride of gold. This solution of
chloride of gold was rhythmically diluted — that is to say,
raised to a higher potency — and then the different potencies
were sprinkled on grains of wheat. For a fortnight, the wheat
germinated and grew under the in-working forces of the gold
potencies and the result of the measurements was a wonderfully
harmonious curve. To begin with, then, we investigated the
effect of gold on the growth of plants. Simultaneously, we tried
to produce evidence of the effect of very highly diluted
substances by means of the capillary-analytical method,
inserting strips of filter paper in small glass vessels each
containing one of the different potencies. Through the course of
the year we investigated in this way different plant extracts
and metallic salt solutions of silver, quicksilver, copper,
gold, iron, tin, lead, antimony and so forth.
Apart from the study of the effect of the potency, we observed
the pictures produced by gold, silver, copper, iron and how the
pictures changed in the course of a month, a year and, finally,
in the course of several years. The results of these
investigations will have to be dealt with in greater detail in
an essay devoted entirely to the subject of gold.
For the sake of explaining the experiments described in this
present book, however, we add these few very brief remarks about
gold.
We use chloride of gold (aurum chlor. cryst. fuscum) as applied
by E. Merck of Darmstadt for industrial purposes, dissolving 1
gramme in 100 ccm. of distilled water. Gold dissolves very
rapidly and the water becomes at once a golden-yellow colour. We
pour 10 ccm. of this solution into a glass vessel and insert a
strip of filter paper.
In the case of the pictures of silver we find that the wealth of
forms is so great that it is impossible to present one picture
only of silver. Hundreds of pictures would have to be shown
before any conception can be gained of the wealth of the forms.
In the case of gold, the colours are so rich that many pictures
must be observed before we can realise the nature and character
of the metal. The colours that make their appearance vary
between pure yellow and dark violet. We find every shade of
yellow up to brown, also shades of rosy pink, purple, blue,
light to dark violet. Plate I is a coloured picture of gold in
so far as the colour can be reproduced.* It was taken on
December 25th 1926, in a dark chamber, and proves that light has
no direct influence upon the manifestation of the colours.
Plate I --
Gold Chloride, 25.12.26
When we have gold in a state of solution, the Sun — according to
the indications given by Rudolf Steiner — is working in it. The
time of a solar eclipse is therefore highly favourable for
observing the changes appearing in gold.
For Stuttgart, the time of the eclipse was given as 5.19 a. m.,
June 29th. I decided, therefore, to insert filter paper in a
solution of gold on June 29th at 5.19 a. m. and to allow the
picture to form under the influence of the solar eclipse. The
usual picture of a solution of gold was familiar to us as the
result of many experiments. In order, however, to discover the
appearance presented by gold immediately before the solar
eclipse, it was necessary to carry out experiments with chloride
of gold several days before, at 5. 19 a. m. — that is to say, at
the same moment when the eclipse would occur on June 29th. On
account of the high cost of reproduction it has unfortunately
been impossible to print in colour all the pictures of gold.
Plate II shows the gold on June 27th and 28th.
Plate II, top -- Gold Chloride, 27.06.27,
05.19h
Plate II, bottom -- Gold Chloride,
28.06.27, 05.19h
On June 27th we have a
normal picture of gold, whereas on June 28th it has become
somewhat cloudy. Various specks and strokes have made their
appearance and the picture looks almost dirty. Plate III
-- shows the gold on June 29th, at sunrise and at 5.19 a.m., the
time of the solar eclipse.
Plate III, top -- Gold Chloride,
29.06.27, sunrise
Plate III, bottom
-- Gold Chloride, 29.06.27, 05.19h, beginning of solar
eclipse
Plate IV shows the
gold on June 29th at 7 a. m., and again at 5. 19 p. m., after
the eclipse. The picture obtained at the time of the eclipse
manifests the above-mentioned phenomenon still more strongly. A
large number of specks have appeared. The colours are not so
luminous as on other occasions; their tones are mostly
brownish-red dirty violet. It is altogether an unpleasing
picture.
On June 29th at 5. 19 p. m. the picture of the gold has become
quite clean again; the colours are more luminous but they have
not yet assumed their natural, inherent beauty and purity.
Plate IV,
top -- Gold Chloride, 29.06.27, 07.00h
Plate IV, bottom
-- Gold Chloride, 29.06.27, 17.19h
EXPERIMENTS WITH SILVER
We have chosen, from a continuous series, pictures of silver
taken two days before the eclipse, on the actual day of the
eclipse and the two following days. in the first publication —
Workings of the Stars in Earthly Substances — we included a
picture of silver, referring to an essay dealing entirely with
silver which will shortly be published. The pictures in this
present work are obtained in the following way: Between 8 a.m.
and 9. a.m. a solution of nitrate of silver (1 gramme in 100
can. of distilled water) is poured into a glass vessel into
which the filter paper is dipped. The silver rises, attaining
its maximum height after two or three hours and is coloured by
the light and air. According to whether the Sun shines more or
less strongly, the tones of the colour vary from light to dark
brown. No matter how much silver is contained in the vessel,
when the maximum height is attained, the surplus silver remains
stationary in the vessel and the filter paper is worked upon
simply by the light and the air. Towards evening, when the Sun
is setting, the fluid begins to rise still higher and oversteps
the boundary set up during the day. The extent to which the
fluid’ rises by night is dependent upon the general weather
conditions and the resulting temperature and moisture of the
air. When the air is moist and the night cold, the fluid rises
higher than when the air is dry and the temperature warm. At
night, therefore, there is a second ascent of the fluid in the
filter paper and when the second boundary has been reached, a
second picture is formed — the night picture.
Plate V is a picture taken by day and Plate VI shows the night
picture placed with it. These pictures cannot be obtained in the
laboratory but only in the open air, under a glass bell or glass
frame.
Plate V
-- Silver Nitrate, picture taken by day
Plate VI
-- Silver Nitrate, picture taken by day and night
We now pass to the
pictures taken before and after the solar eclipse:
Plate VII
-- Silver on June 27th, day and night.
Plate VIII
-- Silver on June 28th, day and night.
Plate IX
-- Picture taken on June 29th, the day of the eclipse.
Plate X June 30th, day and night.
Plate XI
-- July 1st, day and night.
Plate VII
-- Silver Nitrate, 27.06.27, day and night
Plate VIII
-- Silver Nitrate, 28.06.27, day and night
Plate IX
-- Silver Nitrate, 29.06.27, day of the eclipse, day
and night
Plate X -- Silver Nitrate, 30.06.27, day
and night
Plate XI
-- Silver Nitrate, 01.07.27, day and night

The facts speak for
themselves and there is no need to waste many words about them.
On June 29th, the silver is not at all the same as at other
times in the month of June. The pictures must be allowed to tell
their own story and we must give ourselves up simply to the
effect they produce. Each single picture portrays a definite
force that is regulating the substance and is working in
accordance with definite law in the inner structure of the
picture. On June 29th, one gets the impression that something
has fallen into disorder. Chaos is reigning; different forces
are struggling together for the mastery. It seems to me that
this arises as an entirely objective impression if, without any
preconceptions whatever, one allows the pictures to work upon
one. The impression of course is all the stronger when one has
been able to observe the pictures not only on the two days
immediately preceding and following the solar eclipse but a long
series, taken, say, on the thirty days before and the thirty
days following the eclipse. The impression made by this curious
silver formation on June 29th is then much stronger. These sixty
pictures of silver have all been reproduced and we should at any
time be able to publish them. Some at any rate will certainly be
able to be brought out.
EXPERIMENTS WITH GOLD AND SILVER
We have now considered gold by itself and silver by itself, in
normal conditions and at the time of the solar eclipse. The
eclipse comes about because the Moon passes between the Earth
and the Sun. In the Cosmos, therefore, there is a very special
relation and interworking between Sun and Moon. This
interworking of the two heavenly bodies is also expressed when
the two earthly substances representing Sun and Moon are
combined. We must therefore unite chloride of gold and nitrate
of silver at the time of the eclipse. Here again it would need a
separate essay to speak in detail of the combined working of
silver and gold but once more we must unfortunately limit
ourselves to a minimum. Most wonderful forms arise when gold and
silver unite — the form-building force of silver, of the Moon,
working in the wealth of colour inherent in gold!
Plate XII is the coloured reproduction of a picture of silver
and gold together, taken on March 21st, 1927, at the beginning
of Spring. The same concentration of both silver and gold — 1
gramme in 100 ccm. —is used and the solutions are mixed in equal
quantities.
Plate XII
-- Gold Chloride & Silver Nitrate, 21 March 1927
Next we pass to the solar eclipse and see how it is reflected in
the interworking of silver and gold.
Plate XIII
-- shows silver and gold on June 28th at 5.19 a. m.
and on June 29th at 5.19 a. m. (beginning of the eclipse).
Plate XIII, top
-- Gold Chloride & Silver Nitrate, 28.06.27,
05.19h
Plate XIII, bottom
-- Gold Chloride & Silver Nitrate, 29.06.27,
05.19h, beginning of solar eclipse
It is really
awe-inspiring to see from a study of Plate XIII how utterly
differently silver and gold work on the Earth when up in the
heavens the Moon is covering the Sun! The picture has no
particular form or colour. The colours are washed out, a greyish
violet. The experiment was repeated many times on June 29th. The
relation of gold and silver was practically normal at 2.30 p.m.
on this day.
Intimate knowledge of the working of these two substances
enables us to say that the picture which arose at this hour
still indicates a slight preponderance of silver.
As a rule, the reaction of silver and gold brings about an
immediate sediment golden-yellow in colour. At 5.19 a.m. on June
29th this sediment was not golden-yellow but brown, soon
darkening to black. The silver was working more strongly than
the gold and to a certain extent this phenomenon was still
apparent at 2.30 p.m.
At 5.19 p. m. the reaction became quite normal and the picture
had assumed its ordinary appearance. Plate XIV is a picture of
silver and gold’ taken on June 29th at 7.16 a. m. towards the
end of the eclipse. We have also added the picture taken on the
same day at 5.19 p.m.
Plate XIV,
top -- Gold Chloride & Silver Nitrate,
29.06.27, 07.00h
Plate XIV, bottom
-- Gold Chloride & Silver Nitrate, 29.06.27, 17.19h
EXPERIMENTS WITH GOLD AND TIN
We were of course also interested to study the behaviour of gold
in relation to other metallic salts during the time of the
eclipse. As well as the experiments with silver, gold and the
two together, we carried out a long series of others, with gold
and lead, gold and tin, gold and iron, gold and copper, gold and
mercury, etc. The relation of the gold to lead was the least
disturbed, the longest and most intense disturbance being
manifest in its relation to tin. At some future time more will
be said about this experiment.
When solutions of gold and tin are united, they give rise to a
highly interesting combination, well-known to chemists. This
combination produces the so-called ‘gold-purple of Cassius’ but
— I merely mention this in passing — not always. There are times
when the most wonderful gold purple appears, immediately
solutions of tin and gold are poured together and again there
are times when absolutely nothing is to be seen. The
golden-yellow changes into a light green but there is no purple.
Now we observed that during the month of June, 1927, there was
no purple reaction from gold and tin. The colour of the sediment
was only light green and after some hours there was a slightly
darker precipitation. On June 27th the reaction of gold-tin was
more vivid and after five minutes a light purple appeared. On
June 28th the reaction set in very rapidly; the colour at once
became violet and the whole picture changed considerably. Plate
XV -- is a normal picture of tin-gold in coloured reproduction.
Plate
XV -- Gold Chloride & Tin Chloride,
08.06.27

In order to show more
or less the general character of the pictures of tin and gold
during the month of June, we show in Plate XVI those taken on
June 12th and 24th.
Plate XVI,
top -- Gold Chloride & Tin Chloride,
12.06.27
Plate XVI, bottom
-- Gold Chloride & Tin Chloride, 24.06.27
Plate XVII shows gold
and tin at 5. 19 a. m. on June 28th after the strong reaction
described above, also gold and tin at 5. 19 a. m. on June 29th
at the time of the solar eclipse. The gold and the tin have
scarcely contacted each other and the golden-yellow has changed
into a blackish hue. At the same moment there is a strong
precipitation. The solution becomes thick and appears as though
coagulated.
Plate XVII,
top -- Gold Chloride & Tin Chloride,
28.06.27, 05.19h
Plate XVII, bottom
-- Gold Chloride & Tin Chloride, 29.06.27, 05.19,
at the beginning of the solar eclipse
According to the
picture, the gold is not working. The fluid ascends to a
comparatively high level. (Taking the experiments as a whole,
the height attained by the fluids on the day of the eclipse was
greater than usual, a fact which is probably explained by the
stronger influence of the Moon.) The strip of filter paper,
however, remains perfectly white. At the bottom there appears a
dark violet line, practically horizontal.
The pictures of tin and gold have, as a rule, something
extraordinarily pure and delicate about them. To find this
sudden abnegation of gold was, therefore, an event of great
significance, for it can only be described as an abnegation of
the gold. Instead of a beautiful picture with tones of yellow
and violet produced by the gold in which are inscribed the
workings of the tin-forces, there is merely an upward suction of
empty water, as it were. The gold has been dragged down to the
bottom and appears as a thick, black precipitation showing a
thick black line. What is the explanation? We can only
understand it if we avert our gaze from the glass containing the
solutions of gold and tin and look out into the Cosmos, where we
see that the Sun cannot send its rays to the Earth and it is
dark even by day. The whole world experiences this cosmic event.
Human beings were under mighty influences. Even the unsensitive
felt themselves strangely affected. At this moment the whole of
Nature changed. Shadows assumed lunar forms. A livid light fell
upon everything. All living beings were in some way affected by
the eclipse of the Sun. What wonder that dead substances too
changed in their inner texture?
The Sun’s strength waned at the time of the eclipse. The working
of gold on Earth was also weakened — weakened’ to such a degree
that tin effaced it.
This experiment with gold and tin was also repeated, hour after
hour, and we have reproduced a number of pictures. Unfortunately
we cannot give the whole series for the number is too great.
Already by noon, a few forms had appeared (Plate XVIII).
Plate
XVIII, top -- Gold Chloride & Tin
Chloride, 29.06.27, 12.00h
Plate XVIII, bottom
-- Gold Chloride & Tin Chloride, 29.06.27, 14.30
These forms gradually
increased in number as the picture taken at 2.30 p.m. shows. And
so it goes on slowly (Plate XIX) as shown in the pictures taken
at 4 p. m. and 5.19 p.m. The reaction was invariably very
strong. The colour is black from the front, in perspective a
magnificent dark reddish purple.
Plate XIX,
top -- Gold Chloride & Tin Chloride,
29.06.27, 16.00h
Plate XIX,
bottom -- Gold Chloride & Tin Chloride,
29.06.27, 17.19h
We said before that
the disturbance between gold and tin was the most persistent. It
is absorbingly interesting to look at the pictures and to follow
this disturbance by stages until it ceases. On the day following
the eclipse, June 30th, the forms below begin to break up to a
certain extent; the gold emerges in a faint pink colouring of
the paper and a contour appears higher up. Already by the
afternoon of July 1st we find the appearance of rich forms, of a
light purple colour mixed with yellow and violet (Plate XX).
Plate XX,
top -- Gold Chloride & Tin Chloride,
30.06.27
Plate XX, bottom
-- Gold Chloride & Tin Chloride, 01.07.27
The pictures in Plate
XXI were taken on July 2nd and 3rd. The reaction of the two
solutions has abated to such an extent that after ten minutes a
blue purple appears.
Plate XXI, top -- Gold 29.06.27
Plate XXI, bottom
-- Gold Chloride & Tin Chloride, 03.07.27
Plate XXII shows tin and gold on July 4th, by day and at
twilight. The reaction on this date was a beautiful light
purple. The picture taken by day is extraordinarily harmonious
and gaily coloured. The form appearing at the bottom is of a
rich reddish-violet colour. We have also given the picture taken
at twilight because it is a beautiful illustration of the
transition to the fully normal condition.
Plate XXII,
top -- Gold Chloride & Tin Chloride,
04.07.27, by day
Plate XXII, bottom
-- Gold Chloride & Tin Chloride, 04.07.27, at
twilight
On July 5th no
reaction set in when the solutions of gold and tin were poured
into each other. The colour merely changed to light green and
there was no subsequent appearance of purple. The picture is
normal and absolutely identical with those taken on June 12th
and 24th.
Plate
XXIII, top -- Gold Chloride & Tin
Chloride, 05.07.27
On July 6th the working of the gold is still stronger. In the
photograph this is to be observed in the dark tones of the upper
part of the picture, whereas down below there is a negative form
in the place where, on June 29th, the dark horizontal strip
appears and on the following days the blackish forms. It is like
a white erasion. Thus seven days after the solar eclipse, the
ordinary relationship of gold and tin exists again.
Plate
XXIII, bottom -- Gold Chloride & Tin
Chloride, 06.07.27
The forces of tin
overcame the gold at the time of the eclipse. It was to be
expected that a re-arrangement of the proportions of the two
sub-stances in favour of the gold would set up the balance. I
tried the experiment and found that by using six parts of gold,
a picture was obtained on July 1st, resembling one taken on July
5th.. That is to say, six parts of gold and one of tin on July
1st, work just as one part of gold and one of tin on June 12th
and July 5th. On July 6th one part of gold was a match for one
part of tin because the Sun was able to pour more force into the
gold.
And so with these experiments too we have again been able to
show how cosmic forces work into the realm of the Earth. The
gold on Earth and the Sun in the heavens belong to each other.
When the physical Sun is darkened in the heavens, the spiritual
Sun may shine in our hearts with all the greater strength if we
are able to realise how the heavens live and move in the earthly
world, as the “golden vessels, upward and down-ward climbing”.
If the Sun is shining in our hearts, we need have no fear of the
outer darkness. For the path to the Spirit is in very truth a
passage through darkness to light.
PLATES
I --
Chloride of Gold December 25th 1927
II -- June 27th at 5. 19 a. m. and June 28th at 5. 19 a.
m.
III -- June 29th at sunrise and June 29th at 5. 19
(Beginning of the solar eclipse)
IV -- June 29th at 7 a. m. and June 29th at 5. 19 p. m.
V -- Nitrate of Silver by day
VI -- Nitrate of Silver by day and night
VII -- Nitrate of Silver June 27th day and night
VIII -- Nitrate of Silver June 28th day and night
IX -- Nitrate of Silver June 29th the day of the eclipse
X -- Nitrate of Silver June 30th day and night
XI -- Nitrate of Silver July 1st day and night
XII -- Chloride of Gold and Nitrate of Silver March 21st
1927
XIII -- Chloride of Gold and Nitrate of Silver June 28th
1927 at 5.19 a. m. and June 29th 1927 at 5. 19 a. m. Beginning
of the eclipse
XIV -- Chloride of Gold and Nitrate of Silver June 29th
at 7a.m. and June 29th at 5.19p.m.
XV -- Chloride of Gold and Tin June 8th 1927
XVI -- Chloride of Gold and Tin June 12th 1927 and June
24th 1927
XVII -- Chloride of Gold and Tin June 28th at 5. 19 a. m.
and June 29th at 5. 19 a. m. (Beginning of the solar eclipse)
XVIII -- Chloride of Gold and Tin June 29th at noon and
June 29th at 2.30 a. m.
XIX -- Chloride of Gold and Tin June 29th at 4 a. m. and
June 29th at 5. 19 a. m.
XX -- Chloride of Gold and Tin June 30th and July 1st
XXI -- Chloride of Gold and Tin July 2nd and July 3rd
XXII -- Chloride of Gold and Tin July 4th by day and July
4th at twilight
XXIII -- Chloride of Gold and Tin July 5th and July 6th